Michel Piccoli stars as an amorous dentist whose philandering seemingly knows no bounds. He is no sooner shooing such lo...
Intéressant; typical male gaze
司汤达论爱情里的男女,贴近的脸,空洞美丽,女人比男人演戏更真,因为她们更相信这是真的,一枪打出了Fin,电影里看到不像爱情,更像成人游戏,而爱情也许只是两个人愿意一起犯傻,一讨论就没有了,朋友说所有的女人,哭的时候最美,我记得另一个朋友说过,哭泣是天使的特权,红色的一角药片,在胃里辗转了很久,突然变成一抹红色的弯月,升腾于不眠的夜空之上,有点恐怖,没有什么是可以预测的
男性自我沉溺的浪漫化想象,一厢情愿的意淫表达,以至于女性角色本质上和男性没有区别。
modern allegory of Don Juan, adding psychoanalytic aspects, and Stendhal's de l'amour (which basically are the same thing), also some early French PUA practice; utter one-way perspective from male and metarialization (picturization) of female; the cinema-like study may be the key to space and location
这个牙医拍的女人们都好好看,想到heyhey baby
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